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One can rationalize Mukesh Singh’s views by pointing out his lack of education. He predicts this is exactly what’s going to happen in India. Mukesh Singh admits as much, when he says it is a mistake to let rape victims go after brutalizing them - the better option is to kill the creatures. The sexual thrill seems to come from debasing her… hurting her… torturing her… and finally, killing her. The fantasy woman is not to be wooed, courted, serenaded or wed. But, it’s important to remember he is not speaking just for himself, he is speaking on behalf of millions of men with identical mindsets, who believe daughters, wives, sisters should be locked up at home, in order to “protect” them. One of the defence lawyers interviewed by Udwin compares women to sweets lying by the roadside, and states flatly that society shouldn’t react if they are attacked by stray dogs scavenging for food. Too late - for what? I think the answer is obvious: too late for men to reassert absolute control over them. Innumerable men (and a lot of women, too!) in our mentally warped country, believe that young girls today are going “too far” and must be reined in before it’s “too late”.
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This is the real message of the documentary that has generated so much political heat in India. The girl of his nasty, perverted ‘dream’. At that moment, all he wants to do is “fix” the girl. Or is hanged for committing such a heinous crime.
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He doesn’t really care if he rots in jail.
#MERE SAPNO KI RANI SONG LYRICS MEANING MOVIE#
While the innocence of the picturization remains touchingly naïve and appealing to viewers across generations, one wonders what really goes on inside the heads of men like Mukesh Singh when they listen to the lyrics and visualize their personal ‘Sapnon ki Rani’? Is that unattainable fantasy woman a reigning screen diva? Or is the woman of his dreams a vulnerable 23-year-old student, looking to get home after watching a movie with a guy pal? Does the sight of a female clad in jeans, laughing and joking with a male buddy, set Mukesh Singh’s libido on fire? Or does the scene make him go crazy with rage and frustration? Drive him crazy enough to rape the innocent girl, torture and brutalize her… before killing her? This man does not think of the consequences. A lovelorn man (Rajesh Khanna) serenades his girlfriend (Sharmila Tagore), and millions of hearts flutter in darkened theatres. Kachcha khiladi tu hai Anadi tujho bataungi Kachcha khiladi tu hai Anadi tujho bataungi Bhule na mujhko aisa Main tujho jalwa dikhaungi Dekhe bade tere Jaise jayegi bachke kaise Na tujhe pata mai hu kaun dilruba Aise kyu kare khata oye na na na Dil churake na ja na Ja paas mere aa ja aa ja Main banunga tera raja Dil churake na ja na ja Paas mere aa ja aa ja Main banunga tera raja Ja deewane ja mere samne na aa Mujhse aankh na lada oye na na na Dil churake na ja na ja Paas mere aa ja aa ja Mai banunga tera raja Dil churake na ja na ja Paas mere aa ja aa ja Main banunga tera raja.Going by the twisted “confessions” of the rapists and defence lawyers interviewed by British documentary maker Leslee Udwin, I keep going back to a catchy Bollywood song that had captured the imagination of moviegoers way back in the ’70s and ’80s. Sapno ki rani ladki deewani Kahe akadti hai Sapno ki rani ladki deewani Kahe akadti hai Apna banake ninde Udake kahe ko ladti hai Koi sila na lungi Dil na tujhe mai dungi Bat ana bana aise hath na laga Aise jor na dikha oye na na na Dil churake na ja na ja Paas mere aa ja aa ja Mai banunga tera raja Dil churake na ja na ja Paas mere aa ja aa ja Main banunga tera raja Dil churake na ja na ja Paas mere aa ja aa ja Mai banunga tera raja Dil churake na ja na ja Paas mere aa ja aa ja Main banunga tera raja Ja deewane ja mere samne na aa Mujhse aankh na lada oye na na na Dil churake na ja na ja Paas mere aa ja aa ja Main banunga tera raja Ja deewane ja mere samne na aa Mujhse aankh na lada oye na na na Dil churake na ja na ja Paas mere aa ja aa ja Mai banunga tera raja Dil churake na ja na ja Paas mere aa ja aa ja Main banunga tera raja